Watching Quel Homme (C64)

Time to tick another demo off my “to do” list… Quel Homme by Agile was released in the same competition as Super Swap Sweden’s Contribution and, if memory serves, was amongst the first things I received when first starting out as a mail trader in Cosine… although we’re talking over three decades ago so I’m not entirely willing to trust my memory on this one!

The demo opens with a classic and quite compact Agile crack intro that sports a large logo and double height scrolling message but sadly has no music, but the first actual part has a decent tune from Johannes Bjerregaard and three scrollers, all using a different large character set and under user control with two looking for the joysticks and the third checking for Z and X being pressed. There’s another large and user-influenced message in the second part at the top of the screen, with a bitmapped logo below but the point of note is the rather good tune by Sanke 3003 (who is still active in Pretzel Logic as SMC) which plays sampled drums along with the SID whilst everything else is happening.

There’s a short, silent interlude with a bizarre picture of a bathtub that has assorted limbs and a cat poking out at various angles bouncing up and down via FLD and then the show finishes with another scrolling message, this time zooming a double font character set up to eight times its regular size – one pixel becomes a character – and splitting one of multicolours. This scroller can once again be controlled by a joystick, with left and right changing the speed whilst up and down move the scroll area vertically with another FLD which displays colour splits so the bars appear to exist behind the message.

One of the texts in Quel Homme calls it “lousy” and it didn’t make the top three at the Rebels and Agile party it was released during – only those positions are known thanks to a file called Agile’s Results from Super Swap Sweden, so we don’t know how Quel Homme fared after that – but it’s pretty solid as 1988 releases go; there’s a focus on moving large letters around, splitting colours and showing a significant amount of scrolltext because that was normal at the time and the chosen music is solid too, particularly Sanke’s piece.