I’ve previously mentioned The Exceptions’ early Atari ST demos in passing when talking about Demons Are Forever on the Amiga and was… well, a little less than charitable about them. The first one was Readme.prg – it may have had other names but that seems to be the consensus now – which came out in March of 1987 and was essentially a “bog standard” picture, scroller and music demo of the variety that C64 owners had been seeing since the previous year.
Visually, there’s a very nicely drawn and very colourful picture with the focal point being a dragon clutching the TEX logo and torching a boing ball with its breath, a not-so-subtle dig at the Amiga and there’s another in the parallax scrolling message. Sound was pulled from the Holger Gehrmann game Extensor – there’s a couple of pieces in there and one is very noticeably his style, but I found that changing tunes would sometimes break things so only did so sparingly whilst recording – which are nice but, to my mind at least, don’t really fit with the graphics.
In 1987 we were all waiting on truly staggering things from these incoming 16-bit systems which at least some of the game developers were struggling to deliver on, so a scrolling message with a picture didn’t really sit well next to those expectations; yes the graphics were of a better quality than we were used to from the 8-bits but that’s what the next generation of hardware is supposed to bring to the table and, whilst the music is reasonable, it didn’t really scream “bleeding edge sound” either, being more reminiscent of the Amstrad CPC or AY-equipped Spectrum than anything else.
I’m aware that sounds rather harsh because it probably is all things considered, but these write ups aren’t reviews so tend to be coloured by my personal preferences and indeed emotions; putting on my rather fetching objective hat for a moment, I know that Readme.prg represents a hugely important scene milestone as one of the very first demos released on the Atari ST – possibly even the first scene-produced production in fact – so should be lauded for that and it’s a reasonably solid production for what it is, especially if you leave it running with tune 1 playing as I’ve done whilst writing.